{"id":6,"date":"2023-05-31T22:02:05","date_gmt":"2023-05-31T22:02:05","guid":{"rendered":"https:\/\/zosiakuczynska.com\/?page_id=6"},"modified":"2025-01-23T11:57:49","modified_gmt":"2025-01-23T11:57:49","slug":"6-2","status":"publish","type":"page","link":"https:\/\/zosiakuczynska.com\/","title":{"rendered":"Home"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Header” _builder_version=”4.20.0″ _module_preset=”default” background_color=”#F9F6F1″ use_background_color_gradient=”on” background_color_gradient_direction=”90deg” background_color_gradient_stops=”#ffffff 65%|rgba(255,255,255,0) 65%” background_color_gradient_overlays_image=”on” background_enable_image=”off” custom_padding=”5vw||5vw||true|false” background_last_edited=”on|tablet” background_color_gradient_direction_tablet=”180deg” locked=”off” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.20.0″ _module_preset=”default” z_index=”1″ global_colors_info=”{}” custom_padding=”|0px||||”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” z_index=”10″ z_index_tablet=”2″ z_index_phone=”2″ z_index_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.0″ _module_preset=”506f46f2-9418-4db5-a101-cbe1f6f148f9″ global_colors_info=”{}”]<\/p>\n

Zosia Kuczy\u0143ska<\/h1>\n

[\/et_pb_text][et_pb_divider color=”rgba(0,0,0,0.2)” divider_weight=”2px” _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”|-24%|||false|false” custom_margin_tablet=”|0%|||false|false” custom_margin_phone=”|0%|||false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”][\/et_pb_divider][et_pb_text _builder_version=”4.21.0″ _module_preset=”7a1526c5-0e6b-44e9-adfa-52bee2d0cf17″ global_colors_info=”{}”]<\/p>\n

Dr Zosia Kuczy\u0144ska is a writer and researcher whose work explores queer archival praxis through creative-critical engagement.<\/h2>\n

[\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

She is the author of Brian Friel’s Models of Influence<\/em><\/a> (Palgrave Macmillan, 2023) and two poetry pamphlets with The Emma Press, Pisanki<\/em><\/a> (2017) and With others in your absence <\/em><\/a>(2021).<\/p>\n

\u00a0Zosia is currently working as a Teaching Fellow in Modern and Contemporary Literature at the University of Edinburgh.\u00a0<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/zosiakuczynska.com\/wp-content\/uploads\/2023\/06\/c559d645-e31a-4d27-b7dc-f1b3349d9bf5.jpg” _builder_version=”4.21.0″ _module_preset=”default” title_text=”c559d645-e31a-4d27-b7dc-f1b3349d9bf5″ hover_enabled=”0″ sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Services” _builder_version=”4.21.0″ _module_preset=”default” background_color=”gcid-1c7f682d-c09a-42e9-8b1c-535ba676533f” locked=”off” collapsed=”on” global_colors_info=”{%22gcid-1c7f682d-c09a-42e9-8b1c-535ba676533f%22:%91%22background_color%22%93}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.21.0″ _module_preset=”default” border_color_all=”rgba(41,59,69,0.3)” border_width_bottom=”2px” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Academic” _builder_version=”4.21.0″ _module_preset=”22a043bc-e4ff-4244-b466-71f6f9d17e9d” link_option_url=”#academic” locked=”off” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22header_2_text_color%22%93}” header_text_color__hover_enabled=”on|hover” header_text_color__hover=”” transform_styles__hover_enabled=”on|hover” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|desktop” transform_rotate__hover_enabled=”on|desktop” transform_skew__hover_enabled=”on|desktop” transform_origin__hover_enabled=”on|desktop” transform_scale__hover=”102%|102%”][\/et_pb_blurb][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”4db7278e-7a41-4101-85e7-0767bc66975f” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Review of Brian Friel’s Models of Influence<\/em> by Paul Murphy for Irish University Review<\/em><\/a>\u00a0<\/a><\/p>\n

[\/et_pb_text][et_pb_divider _builder_version=”4.21.0″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″ custom_margin=”-14px|||||” custom_padding=”||2px|||”][\/et_pb_divider][et_pb_text _builder_version=”4.21.0″ _module_preset=”4db7278e-7a41-4101-85e7-0767bc66975f” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″ custom_margin=”-41px|||||”]<\/p>\n

Review of Brian Friel’s Models of Influence<\/em> by Martine Pelletier for \u00c9tudes Irlandaises<\/em><\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.21.0″ _module_preset=”default” hover_enabled=”0″ border_color_all=”rgba(41,59,69,0.3)” border_width_bottom=”2px” global_colors_info=”{}” sticky_enabled=”0″][et_pb_column type=”1_3″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Poetry” url=”#poetry” _builder_version=”4.21.0″ _module_preset=”22a043bc-e4ff-4244-b466-71f6f9d17e9d” custom_padding=”|0px||||” locked=”off” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22header_2_text_color%22,%22header_2_text_color%22%93}” transform_styles__hover_enabled=”on|desktop” transform_scale__hover=”102%|102%” transform_scale__hover_enabled=”on|desktop” transform_translate__hover_enabled=”on|desktop” transform_rotate__hover_enabled=”on|desktop” transform_skew__hover_enabled=”on|desktop” transform_origin__hover_enabled=”on|desktop”][\/et_pb_blurb][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”4db7278e-7a41-4101-85e7-0767bc66975f” global_colors_info=”{}” custom_padding=”||0px|||” min_height=”23.3px”]<\/p>\n

\u00a0<\/a>Zosia Kuczy\u0144ska reads from her poetry pamphlet\u00a0With others in your absence<\/em><\/a>\u00a0<\/a><\/p>\n

[\/et_pb_text][et_pb_divider _builder_version=”4.21.0″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″ custom_margin=”-14px|||||” custom_padding=”||2px|||”][\/et_pb_divider][et_pb_text _builder_version=”4.21.0″ _module_preset=”4db7278e-7a41-4101-85e7-0767bc66975f” global_colors_info=”{}” custom_padding=”||0px|||” min_height=”26.3px” custom_margin=”-43px|||||”]<\/p>\n

The Honest Ulsterman<\/em> – Features – Zosia Kuczy\u0144ska, With others in your absence<\/em><\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.21.0″ _module_preset=”default” border_color_all=”rgba(41,59,69,0.3)” border_width_bottom=”2px” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Projects” url=”#projects” _builder_version=”4.21.0″ _module_preset=”22a043bc-e4ff-4244-b466-71f6f9d17e9d” locked=”off” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22header_2_text_color%22,%22header_2_text_color%22%93}” transform_styles__hover_enabled=”on|hover” transform_scale__hover=”102%|102%” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|desktop” transform_rotate__hover_enabled=”on|desktop” transform_skew__hover_enabled=”on|desktop” transform_origin__hover_enabled=”on|desktop”][\/et_pb_blurb][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”4db7278e-7a41-4101-85e7-0767bc66975f” hover_enabled=”0″ global_colors_info=”{}” custom_margin=”||7px|||” sticky_enabled=”0″]<\/p>\n

Don’t Anticipate the Ending: Creative Encounters with the Brian Friel Papers <\/em>(MoLI)<\/a><\/p>\n

[\/et_pb_text][et_pb_divider _builder_version=”4.21.0″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″ custom_margin=”13px|||||”][\/et_pb_divider][et_pb_text _builder_version=”4.21.0″ _module_preset=”4db7278e-7a41-4101-85e7-0767bc66975f” global_colors_info=”{}” custom_margin=”-49px|||||” custom_padding=”12px|||||”]<\/p>\n

The Picture Palace: Part 2, Town Hall<\/em><\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” module_id=”poetry” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_padding=”|0px||||” global_colors_info=”{}”]<\/p>\n

Poetry<\/strong><\/h1>\n

[\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

\u2018Eight Poems\u2019, in Queering the Green: Post-2000 Queer Irish Poetry<\/em><\/a> (Belfast: The Lifeboat Press, 2021), pp. 162\u2013174.<\/p>\n

\u2018After the party\u2019, in Local Wonders: Poems of our Immediate Surrounds<\/em><\/a>, ed. by Pat Boran (Dublin: Dedalus Press, 2021), p. 93.<\/p>\n

With others in your absence <\/em><\/a>(Birmingham: The Emma Press, 2021).<\/p>\n

\u2018Second Person Singular<\/a>\u2019, The White Review<\/em>, Issue 27 (March 2020), pp. 79\u201384.<\/p>\n

\u2018The Gift Shop Elegies #9\u2019, in We\u2019ve Done Nothing Wrong We\u2019ve Nothing to Hide: The Verve Anthology of Diversity Poems<\/em><\/a>, ed. and intr. by Andrew McMillan (Exeter: Verve Poetry Press, 2020), pp. 57\u201361.<\/p>\n

\u2018\u201cNo time to wait til her mouth can\u201d\u2019, in Happy Browsing: An Anthology in Praise of Bookfinders<\/em> (Belfast: The Lifeboat Press, 2018), p. 65.<\/p>\n

\u2018Cliffhanger\u2019, Poetry Ireland Review<\/em>, Issue 129<\/a> (Winter 2019), p. 96.<\/p>\n

\u2018On Woolacombe Beach\u2019, The Tangerine<\/em>, Issue 5<\/a> (Spring 2018), p. 28.<\/p>\n

Pisanki<\/em><\/a>, intr. by Bernard O\u2019Donoghue (Birmingham: The Emma Press, 2017).<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ specialty_columns=”2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_row_inner column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”60px|||||” custom_padding=”||40px|||” global_colors_info=”{}”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/zosiakuczynska.com\/wp-content\/uploads\/2023\/06\/9781910139721.jpg” title_text=”9781910139721″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

\u201cKuczynska narrates a bond between generations, one that has led her to depict the pear trees and \u201cmetal-sown\u201d fields of her grandmother\u2019s memories. Pisanki is a spellbinding tapestry of images and emotions, of displacement, loss and hope.\u201d<\/em>\u2013 PBS Bulletin<\/a><\/em><\/p>\n

[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” min_height=”402.4px” global_colors_info=”{}”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/zosiakuczynska.com\/wp-content\/uploads\/2023\/06\/original-7-667×1024-1.jpg” title_text=”original-7-667×1024″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

\u201cThere\u2019s an honesty in these poems, conveyed through language that is raw, open-hearted, simple, and yet at the same time, weaves around each part of itself, to complicate matters.\u201d<\/em>\u2013 Manuela Moser, <\/span>The Seamus Heaney Centre\u2019s Friday Critique<\/em><\/a><\/p>\n

[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” _builder_version=”4.21.0″ _module_preset=”default” background_color=”#f9f6f1″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_blurb title=”‘Don’t Anticipate the Ending'” image=”https:\/\/zosiakuczynska.com\/wp-content\/uploads\/2023\/06\/Trio-bigger-margins.jpg” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}” custom_padding=”0px|||||”]<\/p>\n

How might\u00a0<\/span>one artist\u2019s ways of working generate new ways of making art for contemporary practitioners through archival engagement?<\/strong><\/p>\n

This collaborative, practice-based research project<\/a> was based on the literary archives of playwright Brian Friel.<\/p>\n

Between 2018 and 2021, I worked with dancer-choreographer Jessie Keenan, performance-maker Robbie Blake, and a company of performers, facilitating creative responses to the Brian Friel Papers.<\/p>\n

Funded by the Irish Research Council and Arts Council Ireland.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_2″ specialty_columns=”2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_row_inner _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_id=”projects” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Projects<\/strong><\/h1>\n

[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Ongoing Collaborations” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

 <\/p>\n

‘The Picture Palace<\/a>‘ by Jessie Keenan<\/p>\n

\u00a0‘Perfect Imperfections<\/a>‘ by \u00c9adao\u00edn Lynch (Typewronger Residency with Lavender Menace)<\/p>\n

[\/et_pb_blurb][et_pb_divider _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” module_id=”academic” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ specialty_columns=”2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_row_inner _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Academic<\/strong><\/h1>\n

[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Professional Experience<\/h2>\n

[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/zosiakuczynska.com\/wp-content\/uploads\/2025\/01\/uoe-crest.png” _builder_version=”4.21.0″ _module_preset=”default” title_text=”uoe-crest” hover_enabled=”0″ sticky_enabled=”0″][\/et_pb_image][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

University of Edinburgh<\/h2>\n

Oct 2024 – Present<\/h6>\n

Teaching Fellow in Modern and Contemporary Literature<\/p>\n

[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/zosiakuczynska.com\/wp-content\/uploads\/2023\/06\/oO0UYOW3_400x400.jpg” title_text=”oO0UYOW3_400x400″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

University of Southampton<\/h2>\n

Oct 2022 – June 2023<\/h6>\n

Teaching Fellow in English Literature<\/p>\n

[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/zosiakuczynska.com\/wp-content\/uploads\/2023\/06\/university-college-dublin-vector-logo.png” title_text=”university-college-dublin-vector-logo” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

University College Dublin<\/h2>\n

Oct 2018 – April 2021<\/span><\/h2>\n

Government of Ireland Postdoctoral Research Fellow<\/p>\n

[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/zosiakuczynska.com\/wp-content\/uploads\/2023\/06\/university-college-dublin-vector-logo.png” title_text=”university-college-dublin-vector-logo” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

University College Dublin, Applied Languages Centre<\/h2>\n

Jul 2018 – Aug 2018<\/span><\/h2>\n

Presessional Tutor in English for Academic Purposes<\/p>\n

[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/zosiakuczynska.com\/wp-content\/uploads\/2023\/06\/626ba4f71dc4c3b537787e24.png” title_text=”626ba4f71dc4c3b537787e24″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

University of Nottingham<\/h2>\n

Jan 2017 – Jul 2018<\/span><\/h2>\n

Teaching Affiliate (School of English)<\/p>\n

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Queen’s University Belfast<\/h2>\n

Feb 2016 – April 2016<\/span><\/h2>\n

Guest Lecturer (MA Irish Poetry)<\/p>\n

[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/zosiakuczynska.com\/wp-content\/uploads\/2023\/06\/unnamed.jpg” title_text=”unnamed” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Trinity College Dublin<\/h2>\n

Jan 2013 – April 2016<\/span><\/h2>\n

Teaching Associate (School of English)<\/p>\n

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Publications<\/h2>\n

<\/strong><\/p>\n

Monograph<\/strong><\/p>\n

Kuczy\u0144ska, Zosia, Brian Friel\u2019s Models of Influence<\/em> (Basingstoke: Palgrave Macmillan, 2023)<\/p>\n

\u2018Brian Friel\u2019s Models of Influence<\/em>\u00a0is undoubtedly an original and very valuable study that readers interested in creative processes, and not only in the drama of Brian Friel, will find useful and inspiring.\u2019<\/p>\n

\u2014Martine\u00a0Pelletier, \u00c9tudes Irlandaises<\/em><\/p>\n

\u2018What Kuczy\u0144ska offers is not merely research based on close engagement with an archive, a methodology that would be sufficient for most scholarly tomes, but archival engagement as a method for creative practice. In doing so, Kuczy\u0144ska offers an original perspective on Friel\u2019s creative process and a model for scholars and practitioners engaged in similar archival research.\u2019<\/p>\n

\u2014Paul Murphy, Irish University Review<\/em><\/p>\n

<\/strong><\/p>\n

Peer-Reviewed Journal Articles<\/strong><\/p>\n

Published<\/u><\/em><\/p>\n

Kuczy\u0144ska, Zosia, \u2018\u201c[A] disoriented vision of\u2026fact\u201d: Brian Friel, Francis Bacon, and Faith Healer<\/em>\u2019, Irish University Review<\/em> 50.2 (November 2020): 319\u2013336.
<\/span><\/p>\n

Cullen, Sarah and Zosia Kuczy\u0144ska, \u2018Review: Literary Archives in the Digital Age\u2019, U.S. Studies Online<\/em>, 6 October 2017 <http:\/\/www.baas.ac.uk\/usso\/literary-archives-digital-age\/> [accessed 2 July 2018]<\/p>\n

Kuczy\u0144ska, Zosia, \u2018\u201cAfterwards always came after before\u2019: post-catastrophic space-time in the plays of Graves and MacNeice\u2019, Gravesiana<\/em> 4.1 (Summer 2014): 162\u2013181.<\/p>\n

Forthcoming<\/u><\/em><\/p>\n

Kuczy\u0144ska, Zosia, \u2018\u2018Censorship Public and Censorship Private: Authority, Authenticity, and Acceptability in the Early Production History of Brian Friel\u2019s Philadelphia, Here I Come!<\/em>\u2019, Modern Drama<\/em>, 68.1 (Spring 2025).<\/p>\n

—, \u2018Inventing Archival Justice: Shola von Reinhold\u2019s LOTE<\/em> and\/as Queer Archival Praxis\u2019, Journal of Irish and Scottish Studies <\/em>(Special Issue, \u2018New Voices in Irish and Scottish Studies\u2019) [forthcoming 2025]<\/p>\n

In preparation for submission<\/u><\/em><\/p>\n

Kuczy\u0144ska, Zosia and Katherine Wyers, \u2018Queering data justice: using archival methodologies to recover transgender histories in healthcare data\u2019, Journal of Information Science<\/em>.<\/p>\n


Book Chapters<\/strong><\/p>\n

Forthcoming<\/u><\/em><\/p>\n

Kuczy\u0144ska, Zosia, \u2018\u201cDrag Lyric – Lyric Drag\u2019, The Routledge Companion to Drag<\/em> (forthcoming)<\/p>\n

<\/strong><\/p>\n

Editorial Assistant<\/strong><\/p>\n

Morash, Chris and Nicholas Grene, eds., The Oxford Handbook of Modern Irish Theatre<\/em> (Oxford: OUP, 2016).<\/p>\n

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Get in touch<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”4db7278e-7a41-4101-85e7-0767bc66975f” text_text_color=”#FFFFFF” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Interested in my work? Got a collaboration in mind? Let me know!<\/p>\n

zkuczyns@ed.ac.uk<\/a><\/p>\n

@zosiasamosia.bsky.social<\/p>\n

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Zosia Kuczy\u0143skaDr Zosia Kuczy\u0144ska is a writer and researcher whose work explores queer archival praxis through creative-critical engagement.She is the author of Brian Friel’s Models of Influence (Palgrave Macmillan, 2023) and two poetry pamphlets with The Emma Press, Pisanki (2017) and With others in your absence (2021). \u00a0Zosia is currently working as a Teaching Fellow […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-6","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/zosiakuczynska.com\/index.php\/wp-json\/wp\/v2\/pages\/6","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zosiakuczynska.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zosiakuczynska.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zosiakuczynska.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zosiakuczynska.com\/index.php\/wp-json\/wp\/v2\/comments?post=6"}],"version-history":[{"count":57,"href":"https:\/\/zosiakuczynska.com\/index.php\/wp-json\/wp\/v2\/pages\/6\/revisions"}],"predecessor-version":[{"id":175,"href":"https:\/\/zosiakuczynska.com\/index.php\/wp-json\/wp\/v2\/pages\/6\/revisions\/175"}],"wp:attachment":[{"href":"https:\/\/zosiakuczynska.com\/index.php\/wp-json\/wp\/v2\/media?parent=6"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}